Although New Orleans' traditional jazz scene had many top players in the 1950s, there was no one center for the city's veteran greats to play. In 1961, local art dealer
Larry Borenstein opened a building in the French Quarter called Preservation Hall. The young tuba player
Allan Jaffe ran the hall and organized tours for the musicians who often performed there, naming the band after the venue. In the Hall's early days, the key musicians included, at various times, trumpeters
Kid Thomas Valentine,
Punch Miller, or
De De Pierce; trombonists
Louis Nelson or
Jim Robinson; clarinetists
George Lewis,
Albert Burbank, or
Willie Humphrey; and pianists
Joseph Robichaux,
Billie Pierce, or
Sweet Emma Barrett. By the early '70s, trumpeter
Percy Humphrey, his brother
Willie on clarinet, and trombonist
Jim Robinson (who, after his death in 1976, was succeeded by
Frank Demond) usually comprised the front line. The deaths of the
Humphreys and
Percy's occasional fill-in
Kid Sheik Colar in the mid-'90s signalled more lineup changes. Four decades after the group's genesis,
the Preservation Hall Jazz Band continues to honor the musical traditions of New Orleans, despite these switches in personnel.
In general, the group's best recordings are their early records under the leadership of
Barrett and the
Pierces; they also cut three hit-or-miss albums for Columbia during 1976-1992.
The Preservation Hall Jazz Band's worldwide tours have resulted in a good deal of goodwill, and the band remained on the road throughout much of 2005 and early 2006, due to the temporary closure of Preservation Hall in the wake of Hurricane Katrina. Although the hurricane devastated the city, it left some of the band's archival recordings unscathed, resulting in the release of
Made in New Orleans: The Hurricane Sessions in 2007.
–
Scott Yanow, Rovi