From her early days in the post-punk group Neon Veins and the industrial outfit
's eclectic music is united by an honesty and intensity that is often unflinching, and always compelling. The Los Angeles-based singer/songwriter/multi-instrumentalist was a fixture of the city's post-punk scene in the '80s, joining Neon Veins when she was just 15; after giving up drugs and alcohol in her early twenties,
. The group had a strong following around L.A. and released several singles and an album, 1993's
, before disbanding later that year.
After
Ethyl Meatplow's breakup,
Bozulich went in a very different direction, crafting mournful and eerie alt-country with
the Geraldine Fibbers, who were named after
Bozulich's imaginary childhood friend. 1995's
Lost Somewhere Between the Earth and My Home introduced the group's searing-yet-delicate attack, which was expanded and amplified with 1997's
Butch, largely due to the addition of experimental guitarist
Nels Cline as a new
Fibber. Despite wide acclaim for
Butch's searching, ambitious music, the album ended up being
the Fibbers' final statement (Sympathy for the Record Industry's What Part of Get Thee Gone Don't You Understand?, which was also released in 1997, was a collection of demos and EP tracks). The band's label, Virgin, wanted a solo album from
Bozulich instead of another
Geraldine Fibbers release, and the group folded under the pressure. However,
Bozulich and
Cline's collaboration continued in the form of
Scarnella, whose self-titled 1998 album of experimental, improvisation-heavy pieces was even more abstract and adventurous than
Butch and led to
Bozulich devoting more of her time to improvised music. She also delved into scoring, writing music for the 2002 film
By Hook or by Crook and for a production of the play The Maids by Jean Genet.
In 2003 she released her first solo album, an experimental but spiritually faithful reinvention of
Willie Nelson's classic
Red Headed Stranger that featured
Cline, as well as
Devin Hoff,
Carla Kihlstedt,
Marka Hughes,
Jenny Scheinman, and
Nelson himself among her collaborators. The album won
Bozulich virtually unanimous acclaim that spilled over to the following year's mini-album
I'm Gonna Stop Killing, which expanded on
Red Headed Stranger's approach with improvisations based on the album and covers of
Neil Young and
Marianne Faithfull songs. For 2006's
Evangelista,
Bozulich moved to Constellation and worked with many of that label's brightest lights, including members of
A Silver Mt. Zion and
Godspeed You Black Emperor!, as well as
Cline and
Shahzad Ismaily, a multi-instrumentalist who also performed and recorded with
Bozulich's more straightforward rock band, the Night Porter.
–
Heather Phares, Rovi