Northern soul had emerged in the north of England when
the Real Thing formed in 1970, but the disco/funk/soul quartet couldn't get into the obscure R&B sounds, preferring instead the more progressive soul of
the Temptations,
Barry White, and funk jams. The Liverpool natives aspired for international success, a dream that went unfulfilled. Original members
Chris Amoo,
Dave Smith,
Kenny Davis, and
Ray Lake began by covering and remaking popular American recordings, and experienced payback when
Frankie Valli and others covered their number one British hit "You to Me Are Everything." They cracked Britain's Top Ten for the second consecutive time with "Can't Get By Without You." Their first recording opportunity arose with EMI Records, where they cut their first single, "Plastic Man;" a remake of
Tavares' "Check It Out" was the flip. The record didn't open many doors, but they continued thriving on the club circuit. Other EMI singles, including "Listen Joe McGintoo" and "Vicious Circles," were largely ignored.
For unknown reasons,
Davis left, and
the Real Thing continued as a trio, doing some commercials, as well as live gigs. Their career began to sprout wings when
David Essex started producing their initial Pye Recordings. Opening for
Essex, they toured all over, even the States, the home of the music they loved. Initial collaborations with
Essex, like previous recordings, were turntable hits, but sold few copies. By this time,
Amoo' brother
Eddie, who had sung with
the Chants on Pye, joined
the Real Thing. The Liverpool-bred but Ghanaian parentage brothers started writing songs that fleshed out their albums. Later,
Loose Ends recorded an
Amoo composition, "In the Sky," for their Virgin Records debut in 1980.
The Real Thing hooked up with
Ken Gold, and boom, "You to Me Are Everything" aced the British pop chart and placed number 66 pop and number 29 soul in the States. Their first album, titled
The Real Thing, contained their chart busters and previous singles. The group wanted to call their second LP Liverpool 8, the name of the racially mixed section of Liverpool where they grew up with Asians, Africans, Chinese, Irish, and anyone else who couldn't afford more opulent surroundings. Pye Records didn't like the name, so they compromised with
Four From Eight, which meant nothing to anyone outside of Britain.
The Real Thing continued releasing albums, waxing four for Pye:
Step Into Our World and
Can You Feel the Force. PRT Records released
100 Minutes in 1982, their last regularly scheduled LP. Waxworks Records dropped a live LP in 1998,
The Real Thing Live; many compilations and best-of albums documenting their career are on the market.
–
Andrew Hamilton, Rovi