Had things worked out differently,
Dave Richmond might have been one of the better-known bassists to come out of the British Invasion. Not that he's done badly, anyway, but in 1963 he had the good luck to get in on the ground floor of one of the finest British pop/rock bands of the 1960s, when he became the bassist in what was then known as the Man-Hugg Blues Brothers, organized by
Manfred Mann and
Mike Hugg. That group, which eventually renamed themselves
Manfred Mann, went on to generate six years' worth of generally superb and always fascinating recordings. But
Richmond wasn't to last past more than the making of their first hit, "5-4-3-2-1" -- he found himself replaced by
Tom McGuinnes soon after the recording date that yielded that single. Luckily for the resourceful and talented
Richman, he had no shortage of work afterward, and played on records by
Elton John,
Marvin, Welch & Farrar, and
Olivia Newton-John, among others, during the 1970s and beyond.
The British-born
Richmond grew up in Thornton, near Blackpool, and later in Torquay. His first instrument was the ukulele, and he studied Hawaiian guitar -- as he describes it, the fateful moment in his musical life came when his older brother put on a record called "Big Noise from Winnetka," featuring
Bob Haggard on the double-bass and
Ray Bauduc at the drums, which became his favorite recording of all and gravitating toward the sound of the upright bass. He later did a stint in the Royal Air Force as a bandsman. Back in civilian life,
Richmond was recruited to play in what became
Manfred Mann, and he was able to mske the shift from upright bass to electric bass guitar -- but he wasn't able to make the jump from jazz to R&B. The other members found his playing too complex for what they were looking for, and he was replaced shortly after their earliest recording sessions (immediately ahead of an actual gig) by
Tom McGuinness, who spent the rest of the decade with the band. Meanwhile,
Richmond passed through one of the latter-day versions of
the John Barry Seven, and then moved into session work, which saw him work with such luminaries as
Dusty Springfield,
Cilla Black,
Serge Gainsbourg, and
Jane Birkin (on "Je T'aime"),
the Shadows, and
Elton John (including "Your Song"). In more recent years, he has gravitated back to an older form of jazz and big-band music, including work with
the Bert Kaempfert Orchestra and the String of Pearls Orchestra under
Chris Smith.
–
Bruce Eder, Rovi