Keyboard player/composer/producer
Mike Moran was born in Leeds, West Yorkshire, England, in 1948. Although he grew up amid the 1960s British beat boom, he was more serious about music than most teenagers, and enrolled at the Royal College of Music. He became a session musician in the late '60s and soon entered the orbit of producer
Gus Dudgeon, who used him on
John Kongos' self-titled 1971 album -- indeed, with a lineup that featured most of the players from
Elton John's recent
Dudgeon-produced
Madman Across the Water (among them
Ray Cooper,
Caleb Quaye,
Dave Glover, and
Roger Pope),
Moran was virtually subbing for
John himself as the keyboard man on the sessions (which included some very early and prominent use of the ARP synthesizer). He was part of
Michael d'Abo's second solo album,
Down at Rachel's Place (1972), and brushed up against the English folk-rock scene of the early '70s with sessions for
Harvey Andrews and
Dave Cartwright. But by the mid-'70s, the list of recordings on which he participated read like a who's who of British pop/rock, including
Allan Clarke, work with whom moved him into the orbit of composer/producer/singers
Roger Cook and
Roger Greenaway,
Kevin Ayers,
Roger Glover,
Rick Springfield,
Ray Thomas, and
Albert Hammond, plus a stint with
the Ian Gillan Band. For a sample of his range, one could take in his work on the searingly loud funk of the
Gillan band's
Child in Time and then the deceptively lyrical yet unobtrusive work he did for
Ray Thomas on
Hopes, Wishes & Dreams, done the very same year. It was the following year, however, that
Moran suddenly became a well-known figure beyond the ranks of his fellow musicians, through his co-authoring with
Lynsey de Paul of the song "Rock Bottom," which made a strong showing in the Eurovision Song Contest that year, and became a hit in several European countries (though not in the U.K.). Thus began an extended musical partnership between
Moran and
de Paul, who went on to collaborate on "Let Your Body Go Downtown" and "Going to a Disco," among other successful songs.
Increasingly,
Moran's work also included writing arrangements for recordings by
Madeline Bell and British popster
David Dundas, among others.
Moran played on behalf of artists across several generations and innumerable genres as the '70s wore on, including
Elliott Murphy,
Rosemary Clooney (on her British album, produced by
Del Newman),
Chris de Burgh,
Colin Blunstone,
Evelyn Thomas, and
Kate Bush. (Indeed, he and his keyboards could well be the one degree of separation between
Rosemary Clooney and
Kate Bush). By the 1980s he had added names from the rarefied top strata of English pop/rock, including
George Harrison and
Mick Fleetwood, to the list of artists for whom he had played. Additionally, he had moved by then into film scoring, partly through his connection to
Harrison, on the movie Time Bandits and then The Missionary.
Moran was also the musical director for the children's music television showcase Get It Together. He returned to the Eurovision competition in 1990 with "That Old Feeling Again" by Stephen Lee Garden. He has also composed such songs as "Barcelona" for
Freddie Mercury, "No Mean City" (sung by
Maggie Bell), the theme to the U.K. crime series Taggart, and "It's Alright" for the series New Tricks, sung by
Dennis Waterman. As a producer, he has worked on
The Queen Album and
Elaine Paige's
Piaf, among other projects.
–
Bruce Eder, Rovi