The second and last album done with Lukin keeps the Melvins' freak flag flying. Starting with the slow-as-hell "Eye Flys," which, if nothing else, shows off Osbourne's skill at monster soloing while Crover and Lukin play a rhythm that would be too slow even for funerals, Gluey Porch Treatments is, to a large extent, more of the same. Then again, with the possible exception of St. Vitus, not many other bands out there were embracing the love of sludge metal monstrosities as the threesome was (just compare it what Ozzy Osbourne himself was doing at the time). "Exact Paperbacks" alone would have eaten most purportedly loud groups for breakfast without even trying. The combination of sudden, herky-jerky thrash (but not thrash metal) and epic stomp and sprawl once again did wonders here. Meanwhile, Osbourne's attempts to remold the singing on "God of Thunder" into a new guise for the underground ("Bitten Into Sympathy" in particular sounds like the ultimate fusion of Gene Simmons' voice and Tony Iommi's riffs) means his voice once more sounds just ridiculously perfect. Drawn-out syllables at the end of lines descending into murk, bellowing half-understandable insanities, flanged warbles and squeals: It's all there. Crover has some great fun with drums at points -- check out the start of "Influence of Atmosphere," where the echo on his fills and pounds just makes it all the more nuttily dramatic, or the equally strong conclusion of "Leech." Besides the title track, other examples of the band's perverse wit via song title includes "Steve Instant Newman" and the perfectly descriptive "Heaviness of the Load." After being unavailable for years, Gluey Porch Treatments finally got rereleased in 2001 with a slew of demo cuts perfect for pounding your head further into your torso.